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To conclude our ESG Insights: Behind the Headlines series, we are delighted to welcome Tom Patterson from Channel 4 to talk to us about what’s happening in the realm of AV.

Tom works in the sales team as senior commercial development & sustainability lead at Channel 4. He works with independent media agencies and new to TV brands to reach audiences at scale across the Channel 4 ecosystem: linear, streaming and social. Tom also leads the commercial sustainability strategy, working with the corporate sustainability manager to deliver on Channel 4’s commitments to mitigate the impacts of the climate crisis.

Prior to being sustainability lead Tom led the ‘Greener Channel 4 Project’ and co-chaired the employee rep group 4Earth. During which time it delivered Channel 4’s first sustainability roadmap which catalysed impactful change in our operations and supply chain. More recently he’s been working closely with the Ad Association’s Ad Net Zero and Purpose Disruptors in an effort to decarbonise the advertising industry and inspire viewers to make positive changes.

Q. Tell me about what Channel 4 is doing currently in the ESG and sustainability space and the role you play in this?

A. It’s been a busy start to 2024 at Channel 4 in the ESG space. Channel 4 has always been at the forefront of innovation and at the end of 2023 we had our Science Based Targets validated. This means our near-term and net zero emissions targets are verified by the Science Based Targets Initiative and align with a 1.5 degree global climate change trajectory. Science based targets help lead the way to a zero-carbon economy, boost innovation and drive sustainable growth by bringing ambitions in line with best practice for delivery.  We have since been flat out implementing the processes to ensure we have a clear transition plan to dramatically reduce our emissions.

More recently we launched our first equity strategy, which will build diversity and inclusion into all our decision-making across the business, while ensuring that there are fair outcomes and opportunities for all those we work with. The strategy, “Equity by Design”, provides a blueprint for continued progress and allows us to drive industry-wide change on multiple fronts. It is a framework for us to continue being a disruptive force for change with a focus on societal impact.

In the commercial team we’re excited about the return of the Paralympics in Paris this summer. It’s a unique opportunity to work with likeminded brands to align with the greatest show in the world. There’s always a real buzz at Channel 4 when the Paras marketing drops and the content is firmed up. It’ll also follow the debut of the winning ad from our most recent Diversity in Advertising Award competition. It’s Channel 4’s annual £1 million creative competition challenging UK brands and creative agencies to be more inclusive in their TV campaigns. The award is an established industry scheme designed to encourage greater and more authentic representation of diverse UK communities through mainstream UK television advertising. The overall ambition of the award is to get more representative advertising campaigns on air and encourage greater inclusive thinking within the creative process behind the campaigns. In 2023, we asked brands to be bold & embrace being ‘Proud All Over’ by submitting ground-breaking campaign ideas representing the LGBTQIA+ community. It revisited the theme of 2019’s award, LGBTQ+ representation.

As a publicly-owned, remit & purpose driven business, environmental sustainability and equitable representation are the foundation of Channel 4. In my role as Commercial Development & Sustainability Lead for Channel 4 Sales I’ve been working across the business to ensure everything we do as a sales team has considered people, planet and profit.

 

Q. Do you think advertisers (our clients) should be planning media investment with ESG goals in mind?

A. Yes. Broadly we are seeing shifts in people expecting more from brands in this space, moving to expecting more meaningful action. People are spending more time engaging with social issues and there is more emphasis on brands to stand for something beyond selling products. But of course, any campaign that is ‘purpose led’ needs to be genuine. And not solely for winning awards or latching onto social media trends. Citizens can smell inauthenticity a mile off and will take brands to task if they aren’t walking the walk.

 

Q. Are advertisers and their agencies leaning forward on this topic collaboratively do you think?

A. Our Black in Business initiative is a good example of media owner, agency and advertiser collaboration. Channel 4 and Lloyds Bank launched Black in Business to help boost up to five black-owned businesses with TV advertising airtime worth more than half a million pounds.

In addition to receiving airtime, each of the five business owners had a creative bespoke TV advert made for them and six months of tailored marketing and business support from Channel 4, Lloyds Bank and social enterprise, DOES.

The initiative offers support to small businesses that are new to TV advertising and comes after research commissioned by the Channel 4 commercial team revealed that black entrepreneurs face more obstacles setting up and running their businesses than their white counterparts.

Black in Business, launched in partnership with Lloyds Bank, forms part of Channel 4’s Black to Front legacy – which is our ongoing commitment to improve black representation on-screen and more widely in the TV industry.

 

Q. Are there companies you feel have already demonstrated a robust strategy in this space and if so, what are they doing? And who is inspiring you or innovating in this area at the moment?

A. Specifically, in the “green” space, Channel 4 is a founding signatory of the Ad Association’s Ad Net Zero steering group and contributed to its book ‘Sustainable Advertising: How advertising can support a better future’ written by AA’s Matt Bourn and Sebastian Munden, former CEO of Unilever, chair of WRAP and ANZ. Ad Net Zero and its members have built a pretty robust strategy to transition the advertising industry to be more sustainable. It has five clear actions for the ad industry to follow and, importantly, holds members accountable by auditing emission reduction. The AA will also be launching a gold standard carbon calculator for media planning with a methodology agreed by the industry and verified by academics.

An organisation in the creative and media space that I’m in awe of are the Purpose Disruptors. They are on a mission to transform the advertising industry into a force for good that will promote a thriving future. It recently launched The Agency For Nature which is a team of young creatives from top UK agencies who are harnessing their collective expertise to connect citizens back to nature and a sustainable lifestyle. It has already launched several inspiring and punchy campaigns.

Finally, and maybe most importantly, in the research and climate comms space are ACT Climate Labs. It does some incredible work debunking misinformation, supercharging climate comms and offering strategic advice for its members on best practice for impactful campaigns. Its insight, including The Persuadables (the 69% of people in the UK who are neither climate activists or climate deniers), has been invaluable to the C4 commercial team when responding to client briefs and in forming our own strategy.

 

Q. What do you think key players in the industry might be focused on in 2024 with regards to an ESG agenda?

A. AI is obviously attracting a lot of attention at the moment. What if AI & ESG combined? How can we harness the power of technology to better society? Protect the planet?

 

Q. If you were King for the day, what ESG policy would you decree?!

A. There are already plenty of strong ESG policies out there – my decree would be to adhere to them! Make them front and centre of all decision making! As a communication industry and the architects of desire we have the power to shift perceptions and inspire meaningful change. What a world it’d be if the advertising and media industry exercised that power by protecting people, planet and profit? Make those your key KPIs.

Channel 4s purpose is to create change through entertainment by representing unheard voices, challenging with purpose and reinventing entertainment. 

Jamie Gibbins, Account Manager

Jamie Gibbins, an Account Manager here at MI is up next in our ‘A day in the life’ series. Jamie sat down to talk to us about how he found a career in media, the great client work he has done with his team over the past year and advice he would give to those wanting to enter the world of media. 

Jamie Gibbins, Account Manager

What led you to a career in media?

As I was so unsure what do, University was ruled out, so I opted to do an apprenticeship and whilst the money didn’t stretch that far (7k for the year) I gained valuable experience and an insight into various aspects of media, igniting a spark and my interest in PPC and advertising. After completing my apprenticeship, I secured a job at a small agency in my hometown in good old Surrey and after three and a half great years at Media Minds Global I took a break to go travelling. I returned to the UK on a real high after my travels, but then Covid hit and like so many others I was made redundant from Kau Media Group, so I had a reset and decided to start freelancing during lockdown. Following the Covid chaos I joined OMD for 2 years where my main focus was on the UK government account. As the senior manager, I headed up each of the different channels from ppc search, social and display across both B2B and B2C. I then joined MI in 2023 and since being here I have been trusted in my role to have more autonomy over my work and the clients I work with which has been great.

 

What does a typical day look like?

First things first, I check my emails, particularly looking out for any flags from clients. From there the team have account check-ins on the various clients that we have and action points are made for the day ahead. At the moment, we are working on a lot of new client briefs and post campaign analysis, keeping me and the team busy and on our toes. Alongside this, we have our usual weekly and monthly client calls where we fully digest our work, discuss where we envision taking these accounts and map out what their growth journey will look like.

 

What is your proudest moment at MI?

I am really proud of MI’s Claude Litner initiative, where the agency is providing and involved in delivering lectures, sessions and workshops about digital media to students of UWL. Presenting a session to the students at the university allowed me to not only display my level of expertise but also to hopefully inspire upcoming stars in the media and advertising space.

 

What advice would you give to someone thinking about a career in media?  

To put it simply, try a lot of little different things until you figure out what you like. Whether that be what sectors you like working across, what channels you enjoy using or what avenues you want to go down. This will help you decide on the direction of your career as you’ll have experience in various fields and will be able to digest and understand all aspects of a media campaign.

 

Do you have a dream client or an ad campaign you particularly love?

There are a lot of great ad campaigns and brands out there, but as a matter of fact, two campaigns that I love come from our very own clients. RNID, was such a rewarding campaign to work on and what made it even better was how grateful the client was for the great results that the campaign produced. They were so appreciative of our hard work and efforts and could see how these transpired to help grow the brand. JML is another example of huge growth experienced so early on in our relationship working with the client. Now we have mastered the growth progression, we are focusing on amplifying JMLs profit.

 

Who is your role model and why?

It has to be my dad, he has been through some challenging times over the past year but he’s taken it all in his stride and has come out the other side. If we are talking celebs, I’d go with Gareth Southgate, purely on the basis of no matter how bad he is he still somehow manages to keep his job, that’s a skill in itself right?

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For our penultimate ESG insights interview, we welcome Matt Longley, MD at Mobsta. Matt started his career working in the civil service for HM Revenue and Customs and, while there, tried everything from border control to marketing. Eventually he settled on marketing and moved to the Electoral Commission to run its marketing team. From there he took his public sector experience to GroupM’s Government media buying arm, M4C. Matt thereafter moved to Carat with the Government account in 2015 to run its newly formed Government Media Team. He subsequently moved to Vizeum to run the planning team for Camelot, TSB, Weetabix and Merlin before completing the client/agency/media owner triangle by joining Mobsta where he is the Managing Director.  

He is now on a mission to make Mobsta the most sustainable media partner on clients’ plans. Let’s hear what Matt has to say.

Q. Tell me about what Mobsta is doing currently that relates to ESG and how you’re positively contributing to the ESG movement in media 

 A. Mobsta uses lots of different data sets to work out the locations where people are likely to be. Respecting GDPR and personal privacy, we have developed a platform that indexes thousands of different audiences to tell you where they are likely to be at any given time. This means we can make sure the work we do is highly targeted which leads neatly into sustainability.  

Two and a half years ago we started focusing more on our carbon emissions after a conversation with a client. The client thought viewability and brand safety on campaigns were spot on but enquired about whether the emissions could be measured. That same week I’d had a conversation with another business about it tracking its emissions and it just seemed serendipitous. When we started to look into it, it was clear there was little information about the media industry’s emissions which prompted us to think about change. We took it upon ourselves to find out which led to the development of our calculator. We weren’t tracking anything at that stage so were unaware of our output as a business. We decided to get this off the ground and worked with a consultancy called Zero Bees which helps SMEs understand their carbon emissions. Together, we developed the first digital media owner carbon calculator GreenLight, that looked at full emissions from the data centre, on to data transfer, through to end user device. At the beginning, the only thing people were properly able to measure was the end user device which we knew only accounted for 58% of emissions. We were the first company of our kind to track full emissions on digital campaigns and have now been doing this fully for two years.  

We can help clients reduce their emissions before they launch campaigns in the following ways

  • Targeting: This works by reducing impressions. For example, rather than buying 5m impressions on the open marketplace in order to reach very broad audience, we reduce this down to find a far better targeted audience (approx. 1m) and instead serve that segment the impressions, removing a lot of wastage around it. Just by doing this you will still reach the audience and get the desired impact, however it also reduces emissions by more than 50%. 
  • Creative selection: This involves having carbon emissions in mind when selecting formats when buying a campaign (e.g. display formats, video formats, native). A 30 second pre-roll video is 101x carbon heavier than a standard display ad. We don’t dictate to clients how to build a campaign to be most carbon efficient, but we highlight the carbon impacts of the formats to add a new planning currency into their plans. We aren’t saying never do video as we know it has a place in digital plans, however we might suggest ways of lowering e.g. reduce 10% of video impressions. 
  • Streamable ads: When you serve a video to someone’s mobile device, whether they watch it or not, the carbon is expended. We partnered with SeenThis which only charges as you’re watching it. If the consumer was only to watch two seconds of the ad, the client will only pay for the segment of the ad that was watched and hence reduces carbon emissions. 

On average we try and reduce every campaign we are involved in by between 80%. There will always be residual emissions on campaigns, as there is on everything. To account for this, we offset to balance these emissions. We invest in forward facing, gold standard projects that prevent carbon going into the atmosphere in the first place, such as investing in water filters for families in third world countries to avoid burning fossil fuels.  

 

Q. Do you think advertisers should be planning media investment with ESG goals in mind? 

 A. Absolutely. We’re aware that agencies and brands have a tough time proving performance on campaigns and we don’t want to take a hit on performance just to meet ESG targets. When we talked about streamable ads, those case studies have seen increased engagement and increased attention because the ad runs smoother when it’s streamed. Therefore, by doing the thing that reduces carbon you can enhance the user experience. It’s difficult sometimes to get clients to take it seriously or do something about it. Everyone talks about it, but actually doing something seems harder. Our advice is take the first step. It doesn’t need to be perfect. A test and learn approach is what’s needed and once they see it’s effective and working, it will become more accepted. 

 

Q. Are advertisers and their agencies leaning forward on this topic collaboratively?  

 A.There’s a lot of talk now compared to two years ago. I think the key is taking action on it. Talking is the first step, measurement is the second step, action is the third step. In the UK we are leading the charge.  

 

Q. Are there companies you feel have already demonstrated a robust strategy in this space and if so, what are they doing? Who is inspiring you or innovating in this area at the moment? 

A. We went to a PR company about getting our ESG message out and they wanted to know “what is the result that makes you see what you have done as a success?”. For example, is it that you’re hoping to onboard more clients and campaigns, is it that you want to make more money? We said no. All we want is for people to be talking about it, we want raised awareness and to pick up on it and be doing it within business. I’m not upset others are doing what we are doing, I am glad that, collectively, media companies are collaboratively part of the movement.  

Last year we worked with Child’s Farm. The marketing team wanted to work specifically with a B Corp. It had in previous years focused its audience on another digital vendor as it was the right audience for the brand. But they chose to move their budget to Mobsta due to our campaign response being impressive for its delivery and impact offering, as well as being backed up by our B Corp credentials. I admire brands that try and take the charge. 

We have recently been working with Lego to help it understand what carbon emissions are in the media space and understand its own emissions. For a large brand to consider this in its media planning and buying is great to see and, although it might not have a commercial benefit to us directly, it feels like the right thing to do. 

 

 Q. What do you think key players in the industry might be focused on in 2024 with regards to an ESG agenda? 

A. I think there’s a wider ESG question. When we became a B Corp it wasn’t just about measuring carbon emissions, it was ensuring we are doing right by our people. We try and have a relatively flat structure, good culture and give useful benefits. Obviously, everyone wants to make a profit, but we are people and planet first and we really do believe that. We all need to do whatever we can to make the world a better place and help our teams to do their best work. 

Also, a lot of people are talking about the “post Cookie world” and when it’s going to happen. At the moment, with Cookies still in play, you can be targeted and buy for impressions. Without Cookies the way the industry targets audiences will need to change. Mobsta is already post-Cookie ready and has been for a while as our audience and insights planning tool “TraffiQ” lets us index your audiences to a full postcode level. This means we don’t need Cookies to reach people in a targeted way and there’s less wastage. With the end of the Cookie and in the absence of the right tools, I hope the industry doesn’t start casting the net too wide again as this would be wasteful. Instead I hope the industry looks to innovate and develop new ways to be targeted that are GDPR compliant and ESG friendly.  

Thinking invertedly, in the future we realise that within programmatic advertising there’s an inconvenient truth that there’s a carbon emission expended when you bid for an ad whether you win it or not. Our own goal for this year and beyond is trying to work with DSPs to reduce the bid/win ratio. 

 

Q. Do you have any frustrations with how the media industry is handling ESG? 

A. There’s a level of greenwashing which I find frustrating. However as long as businesses and people are doing something to tackle the issue and not just talking about it, that’s fine. When I think of off-setting, it has a bad stigma around it and obviously it isn’t always enough, but we do have to cut people some slack. At least companies are taking a step in right direction.
 

 Q. If you were King for the day, what ESG policy would you decree?! 

A. We can’t do anything as an industry until we measure everything. I would decree that for every media plan that goes out and is bought, the carbon is measured. Because until people know the impact of their own work and what it means, people aren’t going to take it seriously. Everyone needs to be aware of their own responsibility before they can improve.  

 

Mobsta reaches your audiences at scale with sustainable digital campaigns delivered with  transparency, simplicity and speed.

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This past month has seen a mix of captivating trends and breaking stories. From the BBC’s surprising announcement about its potential advertising commercialisation through audio channels, to the insurance sector demonstrating remarkable resilience and introducing new disruptor brands, there’s no shortage of buzz. And if that’s not enough, we’re also hearing firsthand from media owners in the realm of social media navigating the ever-evolving social landscape. Here we explore each of these in a bit more detail.

The BBC’s bold move: advertising on audio platforms

News broke that the BBC is poised to venture into uncharted territory by introducing advertising on its radio and podcast content via third-party platforms like Amazon Music, Apple Music and Spotify. While this strategic move could bolster commercial revenue for the public service broadcaster, it has ignited some debate within the industry. Ads are expected to appear on smaller factual, drama and comedy content initially, with popular programs following suit if successful. News and current affairs content will remain ad-free.

Introducing ads on BBC’s audio content is a contentious decision. It’s apparent that it will boost revenue for the BBC, however it risks compromising the BBC’s reputation for ad-free quality programming. Striking a balance between financial sustainability and maintaining public trust should be the priority. Not only this, but it will also cause tension with other broadcasters and media houses in general. There’s a question of whether this approach is fair and if it’s going to destroy the advertising industry as it exists now. Although the BBC has announced it will advertise on audio programmes, that is not to say it won’t expand to other channels and platforms in the future. This could take away from competitors who don’t have public funding and start to damage trade substantially.

Reading into why the BBC is looking for this opportunity is interesting. It seems unlikely that it is purely just for commercial benefit, but considerably to do with the pressure and actions of the Conservative government. This government over the years has significantly reduced the BBC’s funding, impacting talent retention and programme quality. It has also been threatened with license funding being withdrawn by the current government and will undoubtedly be trying to make up for the license freeze during the pandemic.

In this high-stakes game, the BBC treads carefully, navigating the fine line between tradition and adaptation. The outcome will shape not only its own future but also the broader media landscape.

Resilience in insurance and shake-ups with new start-ups entering the scene

Working with entrepreneurial clients in the business insurance sector, we know first-hand that it takes a solid brand strategy, competitive edge and distinctive, strategic marketing to stand out. With 90% of adults holding at least one insurance policy, the insurance sector is withstanding challenges during a cost-of-living crisis that is affecting many others. Categories such as pet and travel insurance which are among the dominating categories have also shown robust market performance. Intriguingly, the crisis has, in some cases, highlighted the importance of insurance, particularly in travel.

However, this resilience doesn’t grant insurers freedom for complacency. Whilst these economic pressures haven’t drastically affected the industry’s valuation, they have certainly reshaped consumer behaviour and expectations. It appears that policy scrutiny is on the rise, leading to several pivotal consumer trends and innovations that are likely to define the industry’s future, here’s a few which stood out.

  1. Consumer shopping habits: As consumers tighten their budgets, affordability becomes a top priority when shopping for insurance. Many UK consumers are turning to price comparison websites including new entrants to the market such as Amazon Insurance Store, yet surprisingly, a large number are showing loyalty and sticking with their current providers.
  2. Improving policy management using tech: Most UK consumers prefer limited interactions with their insurers, creating an opportunity for companies to enhance loyalty through regular, positive engagement via provider apps. Examples like the Vitality Health Insurance app showcase how in-app rewards can improve customer experience and encourage policy renewal.
  3. Recognising the rising importance of sustainability: Consumer awareness of environmental issues is on the rise, driving interest in sustainable and ethical insurance options. While currently niche, these offerings are likely to become more prominent as sustainability efforts increase.
  4. New innovators entering the scene: Recently launched Insurtech “Blip” seeks to disrupt the UK insurance market with its profit-sharing model. The brand aims to provide affordable and comprehensive business insurance for small enterprises. Its unique approach focuses on returning up to 10% of total policy premiums to policyholders, fostering a sense of community and transparency. Gary Ross, the firm’s founder and chief executive, emphasises the importance of restoring trust between companies and insurers, particularly for smaller independent businesses facing financial risks. It’s apparent that in a time of need with SME’s grappling with the cost-of-living crisis, it’s essential to rebuild trust between companies and insurers.

What’s happening on the social scene? A month of social media insights

In March we invited a diverse mix of media owners from the social media realm to our offices to update us on the social landscape. We soaked up key insights on the opportunities currently available to clients and brands and the trends that are capturing people at the moment. We heard loud and clear that social just keeps on growing, remaining the popular marketing choice for so many brands and companies.

Lisa Batty from TikTok highlighted its transformation from a platform for self-expression during lockdown to a fully-fledged creative hub and search engine by 2023. TikTok’s algorithm tailors content to users, diversifying its influence across topics from fashion to finance. With an audience-first approach, TikTok’s skippable ads reap high engagement rates, with 61% of brands seen for the first time on the platform prompting action from 92% of users. WeAre8 reminded us of its unique planet positive offering, presenting a platform free from hate and supporting positive change through incentivised, opt-in ads fostering community, engagement and happiness. It has recently partnered with the BBC on a distribution deal for BBC Earth content; the first of its kind between the platform and a broadcaster. The partnership paves the way for new commercial opportunities by bringing together social media with the premium digital inventory of BBC Studios. Meanwhile, Fifty and Meta both paid attention to how AI can be leveraged in order to craft efficiency, gain actionable audience insights and sustainable media strategies which are aligned with client objectives.  With AI revolutionising the advertising and marketing space, brands are embracing personalised experiences and redefining targeting methods to stay ahead in the digital landscape.

 

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Marketing Insight: Snickers position as the world’s best selling chocolate bar was under threat

From 2007 to 2009, Snickers was experiencing a sales growth decline and losing market share. It was lagging behind its competitors, threatening its position as the world’s best-selling chocolate bar.

The brand identified that the chocolate bar market was incredibly saturated and that the product was generally a snack purchased on impulse. Snickers’ brand awareness was high but, to stand out in a cluttered market, it needed to create brand fame to stay front of mind when people were reaching for a snack.

Mindful of this task, Snickers’ brand strategy centred around a new creative that would intrinsically link the chocolate bar with the moment that people hungrily seek out a snack. This was the birth of the now famous ‘You’re not you when you’re hungry’ tagline.

Media Innovation: standing out in a saturated market

There were four key actions within a new brand strategy that contributed to the overall success of Snickers’ ‘You’re not you when you’re hungry’ campaign.

  1. The campaign launched with a memorable creative, using a combination of humour and celebrities to convey the core message that people aren’t themselves when they’re hungry and a Snickers bar is the solution to get people back to their usual selves.
  2. The appearance of well-known faces within the creative, as well as endorsements via innovative social media posts, was tailored to the brand’s global audience. Snickers used local celebrities in each market to illustrate the ‘You’re not you when you’re hungry’ messaging.
  3. Snickers expanded from its traditionally young and male target audience to a larger, more diverse audience, with the intention of making the brand relatable to everyone that likes chocolate.
  4. To reach this new broader audience, the brand also updated its marketing mix to include TV, radio, print, OOH, cinema and social media.

Snickers launched the campaign in the US on the perfect stage to create fame: the 2010 Super Bowl. The ad starred Betty White starring as a struggling American Football star who gets tackled until she eats a Snickers and American Football star Bert Belasco returns to his normal self.

Accelerating Growth: global success

The ad was an immediate success, leading to 400 million incremental and unpaid media impressions with a media value equal to $28.6m – 11.4 times the initial investment. In the year after the campaign launched, global sales increased by 15.9% and market share grew in 56 of the 58 markets in which it ran.

Over the last decade the campaign has been awarded 47 Lions, spanning 14 categories and six countries, as well as every major effectiveness award, including two Effectiveness Lions, an IPA gold and global and local Effies and AME Awards. Almost 15 years on and ‘You’re not you when you’re hungry’ remains one of the most recognisable brand slogans.

For well established brands that have already achieved a certain level awareness, it is important to understand what the right objective is to achieve their business goals. In increasingly saturated markets, Snickers’ makes the case for the importance of brand fame in driving sales.

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This week for our ESG series we are joined by two wonderful guests in the digital advertising world, John Goulding Global Chief Strategy Officer and Debbi Rosenthal Head of Solutions at MiQ.

John is a media & technology leader with 14 years’ experience in the digital advertising space. As Global Chief Strategy Officer at MiQ he oversees a team of 280 product, engineering and data-science specialists, focused on building technology that improves programmatic campaign outcomes for advertisers and agencies. Prior to MiQ, John worked at A&N Media where he helped to establish a programmatic practice for titles such as Metro, Local World and MailOnline.

Debbi is MiQ’s Head of Solutions, UK, where she leads a team of analytics and technology specialists to deliver innovative programmatic solutions that answer its clients’ most pressing business challenges. Debbi’s previous roles centred on Digital Analytics & Personalisation in both agency and client side. At MiQ, Debbi is passionate about developing the next generation of women innovators in adtech and co-chairs the company’s women’s network, WiQ, as well as being an active member of Bloom and other industry groups.

Q. Tell me about what you’re doing in the ESG and sustainability space at MiQ?

A. John: There are two main areas we can split this into: how we help our clients to become more sustainable and meet their ESG goals and what we are doing to get our own house in order.

Debbi: To speak to the client side, I would say we can break this down into two further categories. Firstly, how we help clients buy with carbon emissions in mind. To do that, we have partnered with Scope 3 (a popular partner and standard bearer for carbon data in the media industry) to access and analyse every impression we serve so it can be tracked and scored. We can then use this data in several ways. One way is private marketplace deals for programmatic buys. This is where clients can buy inventory which MiQ has determined to have lower predicted carbon emissions and is already optimised for a specific client KPI. This results in good performance at the same time as lowering carbon emissions from marketing. Another is to give clients a bespoke “green score”. That green score is calculated from Scope 3’s emissions data for every impression we serve, mapped to create a sustainability index which shows advertisers how their campaign emissions compare to that of their industry and market. This is something we do as standard with all clients running a campaign with us.

The other aspect of how we work with clients on this topic is around creative. We use companies such as Seen This which reduce carbon emissions across different creative formats by loading those creatives in bitesize pieces, therefore reducing wastage.

That’s a snippet of our work from a purely carbon emissions perspective and the only thing that I’d add to that is we don’t use and view sustainability as a marketing KPI on it’s own. A lot of the work we have done to lower carbon emissions and make it easier for clients to buy into has involved creating models off the back of this work which look at campaigns from a multi-KPI view. Therefore, rather than just considering the carbon footprint of a campaign, we tend to consider attention, carbon, and performance metrics in one place to build a holistic approach for clients.

John: When we consider our internal efforts, starting at the ESG level, there’s four areas that are really important for us as a business:

  • Responsible advertising – making sure our ads are well placed, and brand safe, that they include appropriate messaging and that there’s a high level of data privacy among our best practices.
  • DE&I – this is something we’ve been focused on for the past four years. We produce an annual public-facing report that we are really proud of. We feel as though we’re making some really good progress in this space. For example, 47% of our managers are women – up from 33% in 2020, and 27% of our managers are BIPOC, up from 20% in 2020.
  • Employee centricity – ensuring we have an amazing employee experience so we can retain and grow talent while offering training and support.
  • Environment –we have a specific focus on greenhouse gases and reaching Net Zero. We’re only 18 months into the journey in this area. However, we have just produced our first public facing report in 2023 in terms of measuring our carbon footprint. We’re trying to enhance our ability to report accurately every year, implementing a Net Zero strategy to be achieved by 2030 with Scopes 1 and 2 to be met by 2025.

 

Q. Are advertisers and their agencies leaning forward on this topic collaboratively?

A. John: I think if it’s really central to a brand’s identity, then it is the client that’s pushing it and the agency is simply finding creative ways to execute. However, there are some agencies, particularly some of the bigger agencies, where ESG is becoming a central theme. In that instance, there is some momentum and movement on this. The latter camp I believe is more in its initial phases.

 

Q. What percentage of clients are leaning into the data and measurement that’s being produced by agencies?

A. John: Right now it’s the top 5-10% most vocal advertisers for who sustainability is part of the fabric of their brand. Outside of that, we are trying to make this a mainstream option so it’s a win-win for clients. Performance isn’t going to go down just because there’s slightly more focus on ESG. In some cases performance may also improve! It’s just about a mindset and behaviour transition.

 Debbi: I would say there is a lot of interest but also nervousness around the performance side, which is why we have spent a lot of time focusing on the performance aspect of carbon emissions and green scores. The easiest way for us as a managed service to help clients benefit and bring about change in their own media buying is to work on it behind the scenes while still delivering performance. We will still continue to put things like the green scores on Post-Campaign Analysis (PCAs) so that clients are aware. However, this is something our traders can do without needing to obtain serious levels of client buy-in and support as it’s already built into our existing capabilities. We don’t charge anymore for providing this, we wouldn’t increase the CPM for that analysis. It’s a balancing act of the clients asking for it and wanting a lot more, as well as those who just want to dip their toes into this measurement and care more specifically about performance.

 

Q. Are there companies you feel have already demonstrated a robust strategy in this space and if so, what are they doing?

A. Debbi: It depends on what lens you look at ESG through, whether that’s societal or environmental. B Corp registered businesses seem like a good place to start as an indicator of their commitment to ESG, but beyond that there are some bigger brands that really carry this ESG ethos through everything they do. You can see this in brands like The Co-op. The Co-operative Bank’s TV ad last year was a great example of this.

Broadly from the societal and governance side, there are agencies such as Mullen Lowe Agency  that take pride in how they create very best possible employee experience and give back to society. They seem very advanced and strong when it comes to issues such as women’s health and invisible issues.

John: There are companies within the programmatic space really leaning in here too. On the ad tech side, Open X is pushing both to get to Net Zero and elevate the debate. Publishers like The Guardian are also performing well relative to their peers which is a result of their transparency and reporting. It’s encouraging to see this in the data and reassuring us to spend more.

 

Q. What do you think key players in the industry might be focused on in 2024 with regards to an ESG agenda?

A. Debbi: I think we are likely to see, and hopefully see, focus on the broader set of ESG principles outside of just carbon emissions which is a big focal point currently. The industry has had tunnel vision on carbon as the core ESG focus recently, but there’s actually 17 sustainable development goals. When you think of ESG more broadly, all of these contribute towards the CSR initiatives and ESG health of a business. We have worked with companies like Legacy Media, which provides comprehensive ESG scoring (across all principles) for the whole advertising industry; from big top of the chain companies, all the way down to small programmatic businesses. We partnered with them last year to start looking at what micro, end-of-the-chain areas we could have influence over beyond just a carbon emissions standpoint. Agencies and brands are starting to pay more attention to the broader ESG lens. The growth of this data and how it can be used for pitching or planning is beginning to influence how we are running our businesses more effectively in an ESG context. That’s where I see things heading anyway by applying the broader set of principles to business.

John: Slightly intuitively from a MiQ perspective, we are still very focused on carbon, environment and what we can influence. Biodiversity for example we can’t move the needle on but we do need to stay focused on areas that are firmly within our control. One other area I would call out is the responsible advertising space which we view as a sub-sector of ESG. We can actually make a big difference to society through responsible advertising best practices.

 

Q. If you were King and Queen for the day, what ESG policy would you decree?!

A. Debbi: Mine would be to set a minimum bio-diversity standard and automatically enforced. To ensure gardens and green spaces are being utilised correctly by everyone to avoid habitat loss. Although this doesn’t relate at all to anything we do, I think it’s important – unless we plant a wildflower for every impression we serve?!

John: As King of the world (going big), I would go for universal cross-border carbon pricing. Carbon is currently this invisible thing. Often if you’re an emitter of it you don’t have to pay for it – we need to create market forces to solve this problem. In a small way, this is what is starting to happen in programmatic media and we are starting to see the cost of carbon in our supply chain, but it would be amazing to do so long-term on a global scale.

I also think education is extremely important and something we haven’t yet touched on. I wouldn’t blame any brand for not knowing what is causing emissions or what they can do to reduce them through advertising campaigns and media buying. It is important now to bring more people with us on this journey and prove there is some significant stuff we can collectively resolve.

MiQ are a programmatic media partner. It drives business changing results with better connected marketing. It does more with your data to reach new customers, in new ways, wherever they are.

Simon King, Business Director

Next up in our ‘A day in the life’ series, we have Simon King, a Business Director here at MI to share his thoughts about our industry, award winning work and his role models. 

What led you to a career in media?

I did an A level course in media studies, one of the modules was advertising and I just really enjoyed it. I was originally torn between media and journalism, but ultimately, I knew I wanted to go into the media field.

I had planned on going to university to study sports journalism, but before embarking on the student life, I took a break and worked at a local bar. I got chatting to a guy who owned his own advertising agency and he offered me a two week trial. I loved it! There were a few familiar faces working at the agency and I must have impressed because they offered me a job. I worked there for 18 months  learning the ropes and my role offered me a great introduction into the world of media. Once I felt that I had found my feet in the industry with a firm starting block, I decided to venture into London which is when I began my 8 and half year stint at MediaCom. From there I worked at other agencies including Kite Factory and Zenith before joining the team at MI Media.

 

What does a typical day look like?

Well, I don’t need an alarm clock because the kids so kindly wake me up at 5:30. The house is pure chaos: breakfast, getting ready for school, the standard morning drill.

*Kingy pauses… Oh, is this meant to be about my working day?…*

Well in that case, it starts with a morning call with my team which allows me to check-in to see how they are and if their mornings were as chaotic as mine. We address any challenges we may have for that day, check the progress on certain campaigns, what client meetings we have coming up and get a good overview of who is heading up what. Once this is all discussed, my day usually involves speaking to clients and people internally who are working on key projects with my team.

 

What is your proudest moment at MI?

Hands down winning a Performance Marketing Award in Best Integrated Performance Campaign category with my client Pogust Goodhead. The idea for the winning campaign came out of a random conversation with my main client. What started as  a gem of an idea, ended up becoming reality and not only that, but it became a successful, award-winning world cup campaign which took the client from a DRTV advertiser to advertising on huge sporting occasions. The award process is never easy and entering such a competitive category saw us come up against some huge brands, so we were all chuffed to have won.

 

What advice would you give to someone thinking about a career in media?  

Come with an open mind. The industry is massively innovative and constantly evolving, so bear that in mind. Every day is completely different and what excites me most about the world of media is that I am still learning, despite working within this field for a few years now.

As we spend most of our waking hours at work, people need to find something they enjoy. Half the battle is waking up and looking forward to your job. If you nail that, you are in for a good run. Media is a fast paced but exciting industry where you get the opportunity to work on cool brands with interesting partners and media owners. You also get to reap the rewards of the social aspects of our industry, from fun events to being out and about at lunches and dinners.

 

Who would be your dream client to work with?

I am not a massive gamer, but I love the marketing approaches in the gaming industry. From conventional and guerilla media, to the development in tech and AI solutions the gaming sector is forever evolving. Within marketing, you can see the competitive streak shining through as different brands compete with one another. I loved seeing the likes of Travis Scott who collaborated with Fortnite on an in-game experience to promote his track with a concert embedded into the game, that’s pretty out there! That’s what interests me, having a client and sector with an ‘all ears’ approach that is willing to embrace new and exciting concepts and strategies. It’s fresh, it’s cool and it draws people in.

 

Who is your role model and why?

Learning all the good stuff and bad stuff in life is what makes a well-rounded role model for me. Because of that, I have to say my parents. They have shaped me into the person I am today and remind me to always try to be the best version of myself. If I had to pick a celeb, it would be Harry Kane. I not only idolise him as a footballer, but also for being a great person, a great dad and a true family man. He steers clear of the trouble that other football players find themselves in and what some players are sometimes tainted for: going out partying and getting up to nonsense. He is just an all-round successful good egg!

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In our next Q&A article of the ESG insights: behind the headline’s series, we are joined by Richard Boon. Richard is CEO of Webmart, a sustainable marketing agency. Webmart is a responsible business and certified B Corp. Richard leads a team of 40 strong team in marketing execution, strategy and technology. Webmart partners with clients in e-commerce, retail and charity, handling £20million of spend across Print, Digital, Creative and Data services.

Q. Tell me about what Webmart is doing currently that relates to ESG and sustainability and how you’re involved…

A. Two things. Firstly, climate action – I’m now spending 25% of my time waking people up to the issue of Scope 3 emissions specifically. That is downstream products and services that have a carbon value to them that are currently invisible or swept under the rug and have very little measurement on them. It’s about educating people that we should be past light sensors in the kitchen and getting people to cycle to work, really that’s like turning up to an earthquake with a dustpan and brush! What we really need to be talking about is that, if the estimated global emissions of digital advertising is 3-5% and growing, we need to be doing something about this to make a change. So, my climate action piece is to take the challenge to others and educating them on carbon literacy.

Secondly, what’s important is providing a solution. We recently won an award for “Highly Commended in the Lloyds Business Excellence Awards” for most sustainable business recognising our work with carbon calculation tools and methodologies, where we can measure digital activity. This includes measurement of website, emails, social posts etc. and creates a carbon value for this activity. It’s the same with physical printed marketing measuring the release of that campaign and its full life cycle. This allows you to get a very different perspective on how to specify a campaign, how long that campaign lasts and what you do with it at the end. We’re enabling agencies, marketers and suppliers to quantify the sustainability impact of a campaign, alongside measuring the usual impacts such as cost and performance.

 

Q. Do you think advertisers should be planning media investment with ESG goals in mind?

A. 100%. I think people should be looking also at carbon budgets placed in different media. We want advertisers to be looking to reach their audience in a way that is both budget friendly and carbon efficient. For example, if you look at the distribution department and the logistics of shipping food, there will be a carbon reduction budget measuring the carbon produced within the shipping process, whereas this wouldn’t necessarily be measured in a marketing plan. So, when looking at different types of media and how we plan it, we should consider not just the value being spent but also the carbon impact. If the client looks across the whole channel mix and plans more effectively with carbon in mind, could they have the same reach but also with a smaller footprint to achieve that reach?

 

Q. Do you think there are other ESG goals outside of carbon that we should be focused on when planning a campaign?

A. As a B Corp, our opinion may evolve over the next few years and indeed it has been evolving for some time. There’s a stance to say you should have red lines when dealing with the fossil fuels industry for example but also there’s an argument to be had around if you are better to work alongside them making the change and helping them to improve. I think the answer for us lies in if they are on the journey and willing to make a change, we would probably consider helping them with the ethical side of things. However, some advertisers may have done too much damage to society already and in this case, we would have to put a red line through ever working with them. There’s quite a fine line between who you will trade with and who you will help. We have some customers who are very responsible and some who are earlier on in their journey.

 

Q. Are advertisers and their agencies leaning forward on this topic collaboratively?

A. I think it varies. Around 25% of our revenue is through our agency partnerships and the other 75% is direct with clients so we see it from both sides. It varies based on the type of business that we’re dealing with and how responsible they are trying to be, both as a business and with their consumers. We don’t tend to always see a hunger for new things. Companies reach a plateau when they’ve met the level their customers are expecting them to be at.

Webmart has been involved in environmental initiatives since 2005. We’ve built this so thoroughly into our business, we might now be slightly ahead of the curve, so we need further client and agency appetite to be able to take our ESG efforts to the next level. Tactics are out there to force positive change, for example the threat of introducing carbon taxes. We have proactively gone over and above within our business to lead the way on the ESG journey and that’s because we only see things moving in one direction.

With agencies and advertisers, I find there isn’t a pull it’s more a push from our side. People are open to conversations, but I’ve seen a lack of agencies reach out to either match what we are doing or collaborate. It feels more like a badge. I get frustrated by the fact that not everyone is on board with the continual improvement cycle. When you are actually trying to do better every year across all areas of ESG, it does feel a little like we are beating our own drum but not everyone else is dancing to the same beat. It is excellent when agencies do come together to work collaboratively, despite being in a potentially competitive environment.

ESG has been put on the back burner on the government’s priority list in recent years due to the economy. However, many businesses have set ambitious net zero targets and I think when the economy starts to repair itself, we will see a big shift in attention on to ESG where businesses have fallen behind on targets and initiatives.

 

Q. Are there companies you feel have already demonstrated a robust strategy in this space and if so, what are they doing?

A. There are several agencies that are doing it quite smartly. There’s some people in the digital space that have some new ways of thinking such as Wholegrain Digital, Climbing Trees, Propellernet. These three in particular stand out to me, not just because of how they are doing ESG within their businesses but because they demonstrate a collaborative alliance and global way of thinking on best practices. I respect that all are under excellent leadership and creating collective cultures that further ESG practices. Wholegrain Digital has a publicised an ethical criteria of who it will work with and who it won’t, which is fairly bold and as a result it will have its niche of client.

In terms of clients, I like what Lucky Saint is doing in the market particularly with its messaging and Toast as well, it reuses bread to make beer and it seems to be smart as a brand.

A client I would mention is Tim Fowler and Alex Barbier, the team at Exodus Travels. They won a gold award with us for with campaign for data hygiene. In 2023 Exodus Travel partnered with Webmart to optimise its existing acquisition direct mail with the aim of amplifying response rates while reducing the campaign’s carbon footprint.  Here’s the full case study.https://www.marketreach.co.uk/case-study/exodus-travels-journey-to-sustainability. We think it’s admirable when a client pushes further for a higher standard, so this is why Exodus deserves the award recognition for embracing sustainable marketing.

 

Q. What do you think key players in the industry might be focused on in 2024 with regards to an ESG agenda?

A. The big one that seems to be hot topic for this year is the conversation around offsetting. There’s been some scrutiny over offsetting, with some seeing it as a box ticking exercise. Some brands are interested in it, others are moving away from it completely as they don’t feel as though it will fulfil their net zero aims. I think it’s probably the year people are going to have access meaningful measurement and there will be a mixture of people waking up being like do we need to do more? Going further than simply offsetting is the stage we are at now. It’s not good enough to just rely on this. Things may get more affordable with carbon capture, sequestration and removal, but until then….offsetting to a gold verified standard is seen as the (controversial) next best. I recommend more focus on measure and reduction before relying on offsetting.

 

Q. If you were King/Queen for the day, what ESG policy would you decree?!

A. The biggest impact we could probably have would be (and I’m going after digital a bit here) that digital needs to get up to speed with carbon calculation. The industry needs to be better disciplined about any data that is created and shared, which is what we refer to as our carbon footprint. My decree would be to implement digital accountability and recycling. If it was all sat in your garage, you wouldn’t have it there so it shouldn’t be different online. All of our “dark data”, storage and wasteful digital ecosystem practices contribute to higher energy and carbon loads. It’s estimated that this digital ecosystem is equivalent to the airline industry of 3-5% of global carbon emissions, it’s just accelerating whilst we all state we are reducing flights. It’s going the wrong way.

Another decree would be that everyone in the industry should take a carbon literacy course so that everyone has the knowledge and education to understand our goals. We need to ensure people are aware of the impact of their behaviours.

 

Webmart was founded by Dr Simon Biltcliffe in 1996. It is entirely self-funded, independent and focused on building trusting and cooperative relationships in the wonderful world of multichannel marketing.  Though its heritage is in buying and managing print services for its customers, these days Webmart is just as likely to consult on driving up marketing ROI through sustainable integrated marketing campaigns as specifying large volume print.

In 2021 it achieved B Corp status, which it is very proud of. It also works tirelessly on lots of environmental initiatives to support the planet including carbon-offsetting and generating energy through solar power. It’s also ISO 14001 environmental certified. Read more about Webmart’s initiatives here.

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This February trends article delves into three topics which have hit the headlines and got our attention. We’ve seen a robust growth and optimistic forecasts in ad spend and marketing budgets, read a different angle on the evolving AV landscape as global streaming giants have begun to collaborate to meet industry standards and explored the expanding reach of media owners through strategic partnerships, understanding the potential benefits this has for agencies like us and brands themselves.

 

Trends in spend: Budget growth predictions

It’s been well publicised in the past month that the UK ad market is experiencing strong growth.  Spends are predicted to skyrocket this year with predictions reaching £39bn in 2024, up from £37bn in 2023, based on industry reports from the Advertising Association and WARC. This is mainly influenced by increased online consumer spending and, surprisingly, this isn’t expected to slow down in 2024 despite economic challenges. Based on trends reported at the end of last year, marketing budgets are also growing at their fastest rate in nearly a decade which is a positive and refreshing outlook, particularly for agencies. This optimism about the industry is also supported by the IPA Bellwether Report, which revealed the strongest marketing budgets in almost a decade. The buzz of 2024 major events such as the Euros, the Paris Olympics and the expected UK general election should ensure the upward trend in ad spend is maintained throughout the year.

The AA and WARC have raised their growth forecast for UK ad spend in 2023 to 6.4%, with a further increase of 5.9% expected in 2024. Notably, events marketing performed the best in the final quarter, with a positive balance of 15.9%. Spending on search is expected to rise by 8.7% and online display by 7.4%. TV is set to grow by 1.4%, largely driven by a 14.6% increase in BVOD. Radio and out-of-home advertising are also anticipated to grow by 2.1% and 7.3% respectively, while cinema is expected to grow by 4.6%. However, online classifieds, direct mail, national and regional news brands and magazine brands are forecasted to decline in spending. This is reflective of the trends we are seeing with our clients and hearing from our partners & media owners.

These predictions gives us a lot of hope and excitement for the industry and the year to come.

 

Streaming services pave the way for the changing AV landscape

February saw the headlines that Thinkbox has welcomed Amazon, Disney+, Netflix, Vevo and Warner Bros Discovery as associate members. These companies will support Thinkbox’s marketing activities for TV advertising, contribute to its research program and engage with the media & marketing industry in the UK. The industry then saw Amazon Prime Video joining Barb in a similar move, following Netflix and Disney+. This means viewing data for Prime Video will now be available to Barb subscribers. Amazon’s decision to join Barb coincides with its recent introduction of ads on Prime Video, expanding beyond special programming to all content. Other streaming platforms such as Paramount+ and Now are also Barb subscribers due to their relationships with Channel 5 and Sky.

These moves reflect an evolution in the AV industry as global streaming platforms integrate into traditional measurement systems, these joint memberships underscore the importance of collaboration and standards in the advertising industry. It also demonstrates the rise of streaming and changing viewer habits.

 

Media owners broadening reach through partnerships

It was announced recently that Pinterest has entered into a new ad partnership with Google in a move designed to boost its ad revenue. This marks Google as the second third-party ad partner for Pinterest, following its multi-year collaboration with Amazon that was unveiled last year. This collaboration provides an opportunity for brands running campaigns with Google ads to not only broaden their reach but also engage with an active, high-value consumer base. This has the potential to lead to stronger return on investment and increased conversions. Pinterest initiated the rollout of the new ad integration a few weeks ago and is reportedly experiencing positive results. Following a similar pattern to the Amazon integration, the Google integration is expected to be phased in over several quarters.

From a media agency perspective, this will be an option for us to look into in the future as this is expected to be phased across the next few quarters. It’s likely that, similar to the capabilities of YouTube advertising within the Google ads platform, there will also now be a section for Pinterest advertising which would allow for much better tracking of campaigns, especially for e-commerce clients who are likely to benefit from this roll out. We would also expect to see competition and costs increase within Pinterest as more and more users will now see Pinterest as an easier and simpler way of advertising.

Everyone benefits from this exciting partnership. Pinterest earns valuable advertising revenue to improve user experience and creator tools. Google expands its reach to a more engaged global audience. Creators have the chance to build sustainable income streams and share their passions with the world. Importantly, users will hopefully find exactly what they’re looking for, thanks to more relevant and targeted ads that seamlessly blend into their discovery journey.

 

Sources:

https://www.alfinsight.com/blog/ad-market-outperforming-wider-economy

Advertising Association/WARC media expenditure report

IPA | Q4 2023 IPA Bellwether Report

https://the-media-leader.com/amazon-disney-netflix-vevo-and-warner-bros-discovery-join-thinkbox/

Amazon Prime Video joins Barb

https://yourstory.com/2024/02/google-ads-come-pinterest-new-monetization-path

https://searchengineland.com/pinterest-ad-partnership-google-437390

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Our audio-focused February looked into audio’s position in the ever-changing fragmented media landscape, looking at how it has moved beyond conventional broadcast radio with the rise of podcasts and streaming services which are offering more tailored options for brands.

To remain up to date and get the audio inside scoop, we welcomed the likes of Spotify, RadioWorks, Bauer Media and Acast to our offices. From the conversations we heard, the stats and insights speak realms. To put it simply, yes brands should absolutely be looking to implement audio into campaigns to stay ahead of the curve.

RADIO GAGA…

To address how we can maximise audio effectiveness in future campaigns for our clients, Bauer Media displayed radio’s true potential in building trust and audience loyalty. The radio landscape is expanding and lends itself to the shift towards digital devices. As a staggering 43 million people tune in weekly, DAB, digital audio and smart speakers appear to be the go-to devices where consumers access digital radio content. With multiple touchpoints for reaching listeners, it is vital that we are aware of the advertising options available to brands.

Whilst we know that audio is impactful, measuring it is crucial to its success. Radio offers brands a platform that can boost mental availability, driving through-the-funnel metrics. It goes beyond brand awareness to amplify share of voice. Integrating radio into campaigns can not only enhance perception and consideration, but also brand equity, giving brands a significant competitive advantage. Beyond brand, Radio has its role to play in driving revenue, propelling conversions and purchases. Incorporating radio into campaigns has shown a remarkable 42% increase in driving profits.

So how can brands weave their commercial messaging through radio ads? Luckily for us Radioworks was able to provide us with useful insights into how brands can accelerate their growth. Audio’s real attraction include two important green flags: love and trust. Due to this, audio partnerships are able to drive brand uplift whilst intertwining messages into poignant moments. Back in Q4 2022, Mind ran a partnership with talkSPORT encouraging listeners to break away from the mental health taboo. Whilst this campaign most likely shocked listeners, Mind positioned itself in a way to access a new audience at just the right time, during a major tournament and in the lead up to the festive period.

Whilst sticking to what we know can be tempting, stepping out of comfort zones and away from traditional advertising can really pay off with figures showing that partnerships can be up to two times more effective than traditional advertising, with 43% uplift when partnerships are live.

LISTENING, TALKING & ESCAPE ROUTES

If you were to ask your friends or family if they had or are listening to a podcast, a large amount of people would admit to having a podcast on the go, whether it be My Therapist Ghosted Me , The Diary Of A CEO or The Newlyweds. Podcasts are now fully embedded in our daily routines, with 60% of the UK listening and 45% of the UK streaming more audio since the pandemic. The last few years have ignited the flame in current and new podcast listeners.

Spotify has gone that extra mile to ensure that it has mastered the art of understanding their listeners’ mood, moment and mindset; meaning that adverts can be delivered based on users’ habits. Brands have to potential to reach 1 in 3 adults in the UK each week with Spotify’s 26.8m monthly users listening. Podcasts are sparking conversation and playing a vital role in getting the world talking. Whilst people still and will continue to watch the big screen, many are now listening to podcasts that correlate to their favourite TV show. Cast your minds back to the devastating exit of Dianne…following this episode, more people tuned into the podcast: Traitors Uncloaked than Love Island.

Acast shed light on how this hyper relevancy in podcasts can be boosted through geo and time targeting, giving brands a huge opportunity to drive awareness and reach, with podcast sponsorship being the bread and butter for driving consideration and building trust.

Podcasts are going beyond entertainment purposes becoming  a simple way for people to steer away from the noise that comes with the digital world and other unhealthy habits. 75% of people want to cut down on their screen time, with 60% finding that podcasts provide them with a break from other media. Despite the fact that social media provides us with platforms to allow for increased connectivity, figures show that Gen Z is concerned about time spent on social media and the negative repercussions this may have, from poor well-being to too much visual stimulation. Because of this, Gen Z is the front row audience for podcasts, with the audio platform acting as their space to escape.

ANSWERS & APPROACHES

It Is clear that podcast listening is soaring, so how can brands make the most of this? Acast assured us that there is a podcast advertising format fit for every purpose, whether that be direct audio adverts to drive awareness and reach, host read sponsorships or minutes of creative branded segments.

It is a joy to hear that brands’ questions can be answered with a variety of ad options. Advertising options on Spotify can not only be determined between screenless and lean in moments, but streaming intelligence can dictate whether audio or video ads should be served, meaning those active on their phone screen will be displayed with video content, whilst those who are purely listening will hear an audio based ad. Brands’ messaging can be hyper targeted, whether a beauty brand wants to sponsor a ‘good vibes’ playlist or a Charity brand opts for a Video Sponsored Session approach where listeners are gifted 30 minutes of uninterrupted listening in exchange for an attentive video view of the charity’s core message.

Ultimately, we know that radio works, but it’s about thinking innovatively about the best possible approaches for our clients and prospects. It goes without saying, audio is on the up and with it being a constant go to for the majority of us in our day-to-day routines, there are ample opportunities for brands to get their ads to the ears of the right listeners.